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Read  Rattle, TinHousePrime Number Magazine, & Paddock Review poems by clicking on the poem titles. 

The Atlanta Review: “Raga”, "Half Past Midnight" (2017) 

The Blue Heron Review: “Most Days a Passage,” “Nimbus: Day 14,039”

Carve Magazine: "Paint by Number", honorable mention, premium edition contest (2017)

Concis Magazine: "Unanswered, Untranslatable" (2016)

Dogwood; a journal of poetry and prose: "Photograph" (2017) 

Fairy Tale Review: "The View from the xxxxxx Bus" (2018)

The Hawai’i Pacific Review: “Persephone’s Date”

The Madison Review: “Stellar Evolution” (2016), finalist for The Phyllis Smart Young Prize

Mendocino County Writers Conference: Winner of 27th annual conference poetry contest (2016): “What Namaste Really Means” and ”Dissection” now available in The Noyo River Review.

The Mississippi Review: “Bobbing,” finalist for the Poetry Prize (2016)

The Tule Review: “Calypso, before Odysseus” “Queen’s Gambit,” “Shape Shifting,” “What Happens Next,” “Aunt-by-Marriage”

The West Trestle Review: “Departure Terminal”

The North American Review: “How to Cackle like a Wicked Stepmother,” finalist for The James Hearst Prize (2011) “The All-Saints, GA, Overeaters Support Group,” finalist for The James Hearst Prize (nominated for Pushcart Prize)

The Raleigh Review: “Untitled Western Country Song in Rubescent A Minor” (nominated for Best New Poets 2016)

Rattle: "Though the Stars Walk Backward

Paddock Review: "Instructions for Driving at Night" (2018) 

Panorama: a journal of intelligent travel: "Anastasia Maps" 

Poppies in Gold, Writers Anthology: "Paper dolls" & "Kiss goodbye" (2016) 

Pratichi “Alive, Burning” “What Scheherazade Would Have Traded For”

Prime Number Magazine:  "On Sadness"

Sixth Annual ITWOW Anthology (2016), produced by The Yellow Chair Review Press: “eye of my i” 

The Squaw Valley Review: “Longitude,” “Handshake Agreement”

Tin House: "Sounding Off"